Skip to content

Where the ideas come from

The guided journey brings together philosophical and relational traditions that have written about narrative, memory, and identity. Here are the sources, how they appear alongside your text, and the limits of this selection.

A situated catalogue, not a universal map

This English-language edition is adapted from a guided journey created through Brazilian research with adults in higher education. That is an origin and a limit, not a definition of who may use the app. Translating words alone would not carry the experience across contexts: examples, ways of taking part, references, voice, privacy, and support must also be adapted and tested.

The selection is uneven too: several European traditions appear through individual authors, while Ubuntu appears as a collective reference. Naming that asymmetry is more honest than presenting eight names as a complete canon. The lenses organize questions in the journeys; they neither represent every tradition nor classify the people who respond.

Who pays at this stage

At this stage, participants do not pay to use the product. The company covers the operating costs. This describes the present and makes no promise about future pricing.

The eight constellations

  • The self through time

    Paul Ricoeur

    How can you remain someone as you change?

  • The self in conversation

    Hans-Georg Gadamer

    What becomes understandable only when another voice enters?

  • The self in experience

    John Dewey

    What do you learn about yourself by acting and observing consequences?

  • The self that questions and transforms

    Paulo Freire

    When does narrating yourself also become a way of reading and transforming the world?

  • The opaque and responsible self

    Judith Butler

    How can you account for yourself without pretending to be completely transparent?

  • The self as practice

    Michel Foucault

    Does writing about yourself merely reveal an identity, or does it also produce one?

  • The self in fragments

    Walter Benjamin

    What can an object, a scene, or an incomplete memory convey?

  • The self in relation and plurality

    Ubuntu e narrativas plurais

    Who can narrate, and before whom?

Catalogued sources

89 works catalogued, 35 with full text obtained through legitimate means.

  • sem licença declarada 74
  • CC BY 6
  • CC BY-NC-ND 4
  • uso pessoal 4
  • CC BY-NC-SA 1

How sources appear in the product

The main journey uses questions written by the team; no work is distributed in full. When you select part of what you wrote and ask for a related passage, the search may return short excerpts from the catalogued sources. Every excerpt is shown with its work, author, location, licence, and a link to the source.

Many catalogued works are commercial and protected by copyright. They support the range of perspectives but are not redistributed. For academic citation, consult the named edition rather than relying only on the excerpt.

What the response never does

When you select part of what you wrote and ask for a related passage, the response is written by a machine from the passages it found. The rules below are not a statement of good intentions: each is checked in code before the response reaches your screen. A response that breaks any of them is rejected; instead, you receive a continuation prompt written by people.

  • Nothing in the response makes its reader the subject. It does not state your condition, conclude what is happening inside you, or return a question with a diagnosis already built in.

    How to check by reading the response: look for the word “you” followed by a state verb — “you are”, “you feel”, “you need” — and for questions beginning with “could it be that you”. None may appear. “You wrote”, followed by your words in quotation marks, is the opposite: it is a quotation and is allowed.

  • What you write does not become evidence about the person who wrote it. Your text returns in quotation marks, as your words, never as a symptom, pattern, or defence.

    How to check by reading the response: see whose inner life the sentence is describing. If “your” is attached to trauma, fear, pattern, process, or defence, the rule was broken — the same applies to “this means” and “deep down”.

  • The machine does not speak about itself or tell anyone to notice something.

    How to check by reading the response: look for “I realize that”, “I see that”, “notice that”, and “observe how”. None may appear.

  • Every passage comes with its source marked, and the first source appears in the first sentence.

    How to check by reading the response: count the numbers in brackets — [1], [2] — and check that the first one is in the first sentence, not at the end.

  • The response ends with a question.

    How to check by reading the response: Read the last line. It ends with “?”.

  • No sentence comments on the search, the collection, or the machine's own limitations.

    How to check by reading the response: look for sentences about the apparatus: “the corpus does not cover”, “the passages do not say”, “I cannot decide”, and “it is worth noting”. None may appear.

The same standard applies to text written by people. It covers the response written by the machine, the notebook task shown when no response arrives, and the label that says where the text came from — not only the machine's output. A standard that applied only to the machine would leave the product unchecked precisely when no response arrived, which is when the person writing is most exposed.

The checks happen at different times, and that difference matters: a machine response is rejected immediately, one by one; text written by people is checked before it enters the product, and a sentence that breaks the standard prevents publication.

Where the guarantee ends. These editorial intentions for the machine response have no automated check today: the length of the response — the editorial notebook asks for two to four short paragraphs, and no check counts paragraphs, whether the final question uses the words you wrote — the check requires a question mark, not whose words the question uses, whether each sentence has an author, a work, or something in the world as its subject — the check looks for forms in which the machine speaks for itself and does not analyze grammatical subjects, and source order after the first sentence — the check stops there because enforcing it everywhere would reject a continuation of a paragraph whose source has already been attributed. They are written here for what they are — editorial intent, not a guarantee. Listing them with the guarantees above would ask you to believe that the text and the code will never diverge.

And what it cannot reach.

  • this is a check of form and vocabulary, not meaning: a sentence that conveys the same idea without the words it looks for — “Afraid to stop”, with no subject — passes the check.
  • the notebook task shown when no response arrives ends with a ready-made question instead of asking you to write your own. The standard that prevents the machine from putting words in your mouth does not cover that line, and it remains that way by decision.

The instrument

Version 0.3.0, digest a85e885ed7379cf2. The digest travels in your meus-dados.json so the map for that chapter can still be calculated after the rules are revised. Questions and other historical text are not yet part of that snapshot. How the lenses are ordered: every answer is worth 0 to 4; “prefer not to answer” is excluded rather than counted as zero; reverse-worded statements score in the opposite direction; and a constellation appears on the map only after at least three statements have been answered.

The interface does not show percentages, bands, or a profile. With three items per lens, those numbers would suggest a precision the method cannot yet support; they are used only to order reflection questions. The order should not be compared across languages or cultural contexts.

The lenses are an exploratory resource for organizing rereading questions. They are not a validated scale, profile, diagnosis, or assessment instrument. The set of 24 statements distributes reverse-scored items unevenly: four of the eight lenses have no statement phrased in the opposite direction. Patterns of agreement may affect the ranking, which should not be compared across people, groups, languages, or cultural contexts.
back